Born in Kiev (Ukraine).
Graduated from the Vaganova Academy of Russian Ballet in 2001.
Joined the Mariinsky Ballet in 2001.
Repertoire includes:
La Sylphide (Youths); choreography by August Bournonville, revised version by Elsa-Marianne von Rosen,
Giselle (Armour-Bearer, Classical Duet); choreography by Jean Coralli, Jules Perrot and Marius Petipa,
The Sleeping Beauty (Prince Fortuné); choreography by Marius Petipa, reconstruction of the 1890 production,
The Sleeping Beauty (Puss in Boots); choreography by Marius Petipa, revised version by Konstantin Sergeyev,
Swan Lake (Jester, Neapolitan Dance); choreography by Marius Petipa and Lev Ivanov, revised version by Konstantin Sergeyev,
Raymonda (Grand pas); choreography by Marius Petipa, revised version by Konstantin Sergeyev,
Le Carnaval (Harlequin); choreography by Michel Fokine,
Le Sacre du printemps (Old Men, Youths); choreography by Vaslav Nijinsky, reconstruction by Millicent Hodson,
The Fountain of Bakhchisarai (Youths, Tatar Dance); choreography by Rostislav Zakharov,
Romeo and Juliet (Mercutio) and Walpurgis Night (Satyrs); choreography by Leonid Lavrovsky,
The Legend of Love (Friends of Ferkhad); choreography by Yuri Grigorovich,
George Balanchine’s ballets Prodigal Son (Friends of the Prodigal), Piano Concerto No 2 (Ballet Imperial), The Four Temperaments (Phlegmatic, Theme), Symphony in C (III. Allegro vivace), Theme and Variations, La Valse, Jewels (Rubies) and Scotch Symphony,
Spartacus (Gaul); choreography by Leonid Yakobson,
Manon (Leader of the Beggars); choreography by Kenneth MacMillan,
Études; choreography by Harald Lander,
Sylvia (Goat); choreography by Frederick Ashton,
The Nutcracker (Nutcracker Doll, Fly-Person, Recruit, Pétrouchkas, Pulcinellas); production by Mihail Chemiakin, choreography by Kirill Simonov,
Princess Pirlipat, or Worthiness Punished (Turkish Grooms); production by Mihail Chemiakin, choreography by Kirill Simonov,
Cinderella (Hairdressers, Autumn),
William Forsythe’s ballets Steptext, Approximate Sonata and The Vertiginous Thrill of Exactitude,
Dolce, con fuoco; choreography by Svetlana Anufrieva,
Come in!; choreography by Kirill Simonov,
The Magic Nut (Royal Jester); production by Mihail Chemiakin, choreography by Donvena Pandoursky,
Le Bourgeois gentilhomme (Teachers); choreography by Nikita Dmitrievsky,
“The Overcoat” after Gogol (Two Officials, an Official Bearing a Society Letter); choreography by Noah D. Gelber,
Le Sacre du printemps (Grasshoppers); choreography by Donvena Pandoursky,
Presentiment of Spring (Three Men); choreography by Yuri Smekalov,
Diana Vishneva: Dialogues (Subject to Change); choreography by Paul Lightfoot and Sol León,
Le Parc (Gardeners); choreography by Angelin Preljocaj,
Euphoria; choreography by Nikita Dmitrievsky,
Choreographic Game 3x3; choreography by Anton Pimonov,
Sacre; choreography by Sasha Waltz,
Clay, Daphnis et Chloé, Yaroslavna. The Eclipse (Vigilantes), Le Bœuf sur le toit; choreography by Vladimir Varnava,
The Bronze Horseman (Peter’s Fledglings); choreography by Rostislav Zakharov, Yuri Smekalov,
Danses Сoncertantes; choreography by Alexander Sergeev.
Repertoire also includes:
Carmen (Two Bandits); choreography by Roland Petit,
Pas d’action from the ballet Laurencia; choreography by Vakhtang Chabukiani,
Adulte, SeasonS; choreography by Ilya Zhivoi,
Anton Pimonov's ballets Inside the Lines, Bambi (Magpie),
Infra; choreography by Wayne McGregor
and dances in the operas A Life for the Tsar (Cracovienne) and Betrothal in a Monastery (Jesters).
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