Born in Tutaev, Yaroslavl Region.
In 2012 he graduated from the Vaganova Academy of Russian Ballet (class of Gennady Selyutsky).
Joined the Mariinsky Ballet the same year.
Repertoire includes:
La Bayadère (Indian Dance); choreography by Marius Petipa, revised version by Vladimir Ponomarev and Vakhtang Chabukiani,
The Sleeping Beauty (the Grey Wolf); choreography by Marius Petipa, revival of the 1890 production, staging by Sergey Vikharev,
The Sleeping Beauty (the Servant, the Grey Wolf); choreography by Marius Petipa, revised version by Konstantin Sergeyev;
Don Quixote (Sancho Panza); choreography by Alexander Gorsky after Marius Petipa,
Pétrouchka (Crooms); choreography by Michel Fokine,
Jewels (Rubies); choreography by George Balanchine,
The Fountain of Bakhchisarai (Nurali, Tatar Dance); choreography by Rostislav Zakharov,
The Nutcracker (Jester, Chinese Dance, Moor); choreography by Vasily Vainonen,
Spartacus (Retarius, Dying Slave, Etruscan); choreography by Leonid Yakobson,
Romeo and Juliet (Jester); choreography by Leonid Lavrovsky,
Leningrad Symphony (Chairman); choreography by Igor Belsky,
Yuri Grigorovich's ballets The Stone Flower (Accordion Player, Skomorokhs), The Legend of Love (Jester),
Le Parc (Gardeners); choreography by Angelin Preljocaj,
The Nutcracker (Petrouchkas, Pulchinellas, Chinese Dance); production by Mihail Chemiakin, choreography by Kirill Simonov,
The Little Humpbacked Horse (the Little Humpbacked Horse) and Cinderella (Autumn, Spring, Hairdresser, Detective),
Bambi (Hedgehog); choreography by Anton Pimonov,
The Bronze Horseman (Peter’s Fledglings); choreography by Yuri Smekalov,
Paquita (Guardian Officers); choreography by Yuri Smekalov, reconstruction and staging of Marius Petipa's choreography (Act III Grand Pas) by Yuri Burlaka,
Maxim Petrov's ballets Le Divertissement du roi, Ballet No 2 and Russian Overture,
Yaroslavna. The Eclipse (Vigilantes); choreography by Vladimir Varnava,
as well as dances in the operas Prince Igor (Polovtsian Dances; choreography by Michel Fokine), Betrothal in a Monastery (Jesters), Aida (a Bull, Military Commanders), Ruslan and Lyudmila (Turkish Dance), A Life for the Tsar (Cracovienne).
Repertoire also includes:
Cinéma; choreography by Maxim Petrov,
as part of the project The Dreamers: Beyond, Lose Yourself to Dance; choreography by Maxim Petrov and Ilya Zhivoi.
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