Yuri Vlasov

Bass

• Recipient of the 2^nd prize at the Elena Obraztsova International Young Opera Singers’ Competition (2013)
• Recipient of the 1^st prize at the international opera singers’ competition St Petersburg (2013)
• Prize-winner at the Sviridov International Competition (Kursk, 2011)

Yuri Vlasov graduated from the St Petersburg Rimsky-Korsakov Conservatoire (class of Nikolai Okhotnikov, 2012). He participated in special programmes directed by Sergey Stadler. At various theatres he has performed the roles of Gremin (Eugene Onegin), Prince Yuri (The Legend of the Invisible City of Kitezh and the Maiden Fevronia), Malyuta Skuratov (The Tsar’s Bride), Bartolo (Le nozze di Figaro), Masetto (Don Giovanni), Sarastro (Die Zauberflöte) and Basilio (Il barbiere di Siviglia).
Soloist with the Mariinsky Opera Company since 2014.

Repertoire at the Mariinsky Theatre:
Ivan Susanin (A Life for the Tsar)
2^nd Strelets (Khovanshchina)
Varlaam, Nikitich and Bailiff (Boris Godunov)
Prince Afanasy Vyazemsky (The Maid of Pskov)
Okean-More, the Sea King, and Duda (Sadko)
Chub (Christmas Eve)
Salieri (Mozart and Salieri)
a Company Commander, Zaretsky (Eugene Onegin)
Surin (The Queen of Spades)
Bertrand (Iolanta)
Bonze (The Nightingale)
Cook (The Love for Three Oranges)
An Old Gambler and the Director (The Gambler)
Kutuzov, Marshal Davoût, Jacqueau, Dolokhov (War and Peace)
Padre Augustin, Brother Benedictine (Betrothal in a Monastery)
Peasant with a Goat (Dead Souls)
July (A Christmas Tale)
Czar Alexei Mikhailovich (Boyarina Morozova)
Parfyon Rogozhin (The Idiot)
Quilty’s Fellow Drinker (Lolita)
Mazetto (Don Giovanni)
Leone (Attila)
The High Priest of Baal (Nabucco)
Reinmar von Zweter (Tannhäuser)
Heinrich der Vogler, Knights of Brabant (Lohengrin)
Sparafucile (Rigoletto)
Ferrando (Il trovatore)
Bethune (I vespri siciliani)
Marquis of Calatrava, Alcalde (La forza del destino)
Banco (Macbeth)
A Monk (Don Carlo)
Ramfis (Aida)
Simone (Gianni Schicchi)
Zuniga (Carmen)
Don Roldano Jimenez (Christopher Columbus, concert performance)
Abimélech (Samson et Dalila)
Hans Schwarz (Die Meistersinger von Nürnberg)
2^nd Knight of the Grail (Parsifal)
Montano (Otello)
Pistol (Falstaff)
A Sacristan, Sciarrone (Tosca)
The Commissioner (Madama Butterfly)
1^st Soldier (Salome, concert performance)
Marcel (Les Huguenots)

Role of the Host in Shostakovich’s Antiformalist Rayok, bass parts in Stravinsky’s Renard and Prokofiev’s Ivan the Terrible