Igor Domashkevich graduated with a master’s degree in lighting design from the St Petersburg National Research University of Information Technologies, Mechanics and Optics (ITMO University) in 2018.
As a video artist he has contributed to numerous productions, including The Twelve (2022) and Coppélia (2024) at the Mariinsky Theatre, Tartuffe and Two for the Seesaw (2021), The Life and Opinions of Tristram Shandy, Gentleman and Morphine (2022), An Ordinary Story, The Tale of Fedot the Archer and Ward No. 6 (2023), The Minor and Resurrection (2024) at St Petersburg’s Lensoviet Theatre, Ghosts (2022) at St Petersburg’s Tovstonogov Bolshoi Drama Theatre, Ruslan and Lyudmila (2023) at St Petersburg’s Alexandrinsky Theatre, The Far Rainbow (2023) at the Moscow Art Theatre, Un ballo in maschera (2023) at the Perm Opera and Ballet Theatre and Gli uccelli (The Birds) (2024) at the Ural Opera Ballet. Has also worked on productions at the Pushkin Nizhny Novgorod Opera and Ballet Theatre, St Petersburg’s Zazerkalye theatre, the Rostov Musical Theatre, the Tyumen Drama Theatre, the Stary Dom (Old House) Novosibirsk Drama Theatre, the Pushkin Krasnoyarsk Drama Theatre and the Sakhalin Chekhov Centre. As a lighting and video designer he has worked on productions such as Two Arrows at St Petersburg’s LDM Theatre (2019), Xenia, the Road to Heaven at the historical park-museum “Russia – My History” (2020) and Casting at the Skorokhod venue (2021). Igor Domashkevich is a finalist in the Digital Opera competition (2022, 2024).
Information for July 2024
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