St Petersburg, Mariinsky II

Aleko

PREMIERE


opera by Sergei Rachmaninoff

Performance by Sevastopol State Academic Opera and Ballet Theatre

Performers

Aleko: Ildar Abdrazakov
Zemfira: Dinara Alieva
Young Gypsy: Iosif Nikitenko
Old Gypsy: Alexei Tikhomriv
Old Gypsy Woman: Yulia Shavarina

Yurlov Russian State Academic Choir
Artistic Director: Gennady Dmitryak

The Mariinsky Orchestra
Conductor: Valery Gergiev

Premiere of this production: 15 August 2025, IX International Festival of Opera and Ballet Chersonesos, Sevastopol


Running time: 1 hour
The performance without an interval

Age category 16+

Credits

Music by Sergei Rachmaninoff
Libretto by Vladimir Nemirovich-Danchenko, after the poem by Alexander Pushkin The Gypsies

Stage Director: Ildar Abdrazakov
Assistant Director: Lyaysan Safargulova
Set Designer: Ekaterina Malinina
Lighting Designer: Konstantin Udovichenko
Costumes: Yana Fashion House
Choreography: Anastasia Cherednikova, Bryan Opoku
Principal répétiteur: Evgeny Sergeev

SYNOPSIS

Aleko lives on the edge – fleeing from others and from himself. We meet him in a courtyard of a run-down communal block where nothing remains private: every step is observed, every word overheard. Here he arrives with Zemfira – young, defiant, almost as if torn from his turbulent past by fate itself.

Their bond is more than sudden passion; it is rooted in a shared past, never spoken of aloud. Something vital and dangerous has happened before. Now everyone knows: Aleko must not be found. From gossiping grandmothers to the teenagers loitering in the yard, all seem complicit in keeping his secret. Yet shadows thicken. Those he escaped have not forgotten, and the echo of approaching footsteps grows louder…

A summer evening. As dusk falls, the Old Man – Zemfira’s father – recounts his youth, when love for a gypsy woman named Mariula ended in abandonment and loss. She left him, a baby in arms, for another. Aleko explodes in outrage. He cannot fathom why the Old Man failed to exact revenge. Were it him, he would strike down the enemy, even if found sleeping at the cliff’s edge. Zemfira hears this, sees Aleko anew and turns away – he is no longer hers.

Her gaze drifts instead to the carefree Young Man who has recently moved into an upstairs flat. He is laughter and light, everything Aleko is not. One evening, while gathering washing in the courtyard, Zemfira sings – her mocking tune cuts at her jealous lover. She lingers outside, weighed down by the cold stare and suffocating talk at home. Later that night she slips away, past the dimly lit stairwell. Aleko is left alone, his thoughts tearing at him. Jealousy consumes him, not as a feeling but as an act waiting to erupt.

In a hidden corner Zemfira and the Young Man confess their love. Their dialogue is filled with freedom, stubborn and fearless. They will not apologise, nor renounce their happiness. But dawn is near. On their return they are met by Aleko. He does not threaten – he pleads. He recalls abandoning his world for her, choosing this suffocating life among strangers. Yet Zemfira is resolute. Her eyes, like the walls around them, are weary and unyielding.

What will unfold in this yard, where everything is visible yet so much remains unspoken? And above all – will Aleko be discovered by those he fears most? The answer lies in the finale.


Composed in 1892 by the nineteen-year-old Rachmaninoff, Aleko became his graduation work at the Moscow Conservatory and immediately won public acclaim. Written after Alexander Pushkin’s poem The Gypsies, it tells the story of a love triangle: Zemfira, the beautiful gypsy girl; Aleko, the passionate adventurer who has abandoned his family and homeland for the sake of his beloved; and the Young Gypsy, equally captivated by her.
Sergei Rachmaninoff’s masterpiece keeps audiences in constant suspense. The proud and independent nature of Zemfira is set against the figure of the jealous Aleko. Pushkin’s poem proved close to the composer’s heart and instantly ignited his creative imagination. The tormented emotions of a lonely man alien to his surroundings, the romantic colour of the action as a whole, the blend of sharp dramatic tension with an abundance of poetic genre scenes – all this enthralled the nineteen-year-old Rachmaninoff and gave rise to the ardent passion that is felt throughout the opera’s music.

The opera’s leitmotif is the clash between the free-spirited ways of the gypsies and the solitary egoist Aleko, who brings misfortune into their lives and becomes an outcast, condemned once again to drag out his existence alone. He longs for warmth, tenderness and affection, yet finds himself deceived and bitterly disappointed in his hopes.

In Aleko gypsy folklore finds vivid expression: choral scenes, arias and duets contrast with dynamic orchestral episodes, including the impassioned male dance in which Rachmaninoff used the theme of the popular gypsy romance The Little Ring. The music of the opera is distinguished by its bright melodiousness and sumptuous orchestration, creating a profound and deeply emotional context for perception.


Aleko
on the playbill
3 December 2025, 18:00
3 December 2025, 21:00
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